Robert has performed, directed, and choreographed movement and staged violence for award-winning films, theatre productions and internationally acclaimed opera houses for twenty-five years. Robert incorporates his training in acting, dance, clowning, martial arts, mask, puppetry, yoga and other disciplines to bring unique creation of character and story to multiple performance venues. His work has received rave reviews from the New York Times, New York Magazine, Variety, Newsday, Opera News and many others.

Robert made his Broadway debut for his work on the Tony nominated Hand to God (Tony Nomination for Best Play) and recent Broadway productions of A Bronx Tale: The Musical directed by Academy Award winner Robert DeNiro and Tony Award winning director Jerry Zaks, I Need That starring Danny DeVito, Bernhardt/Hamlet starring Janet McTeer and Gettin' The Band Back Together. His work has also been seen on the West End production of Mad House starring Bill Pullman and David Harbour. Off-Broadway credits include Teeth for Playwrights Horizons and New Stages, Teenage Dick at The Public Theatre, The Thanksgiving Play at Playwright's Horizons, Important Hats of the Twentieth Century at Manhattan Theatre Club, Verité at LCT3, Lesser America’s Trevor, Second Stage Theatre’s production of Butcher of Baraboo, Little Rock, Billy Witch and The New York Musical Theatre Festival production of The Screams of Kitty Genovese and The New York Fringe Festival’s The Salacious Uncle Baldrick and Waiter, Waiter. Regional Theatre credits include Paper Mill Playhouse productions of The Honeymooner’s the Musical and The Sting the Musical, the Westport Country Playhouse’s productions of What the Butler Saw, Bedroom Farce, and The Things We Do For Love, Asolo Repertory Theatre’s The Game’s Afoot and God of Carnage, Utah Shakespeare Festival productions of Romeo & Juliet, Julius Caesar, The Tavern and A Midsummer Night’s Dream, Hudson Valley Shakespeare’s Twelfth Night, Boston’s New Repertory Theatre’s A Skull in Connemaraand Los Angeles’ Circle X Theatre’s production of The Bigger Man and the National Tour of Clue.

Robert has choreographed movement for Opera production of La fanciulla del West and Tosca, New England Opera’s production of The Dangerous Liasion and Saint of Bleeker Street at DiCapo Opera, Les Contes D’Hoffmann and I Pagliacci/Goyescas for Central City Opera, Carmen at the Chautauqua Opera, The Lost Colony, The Colorado Shakespeare Festival and the 75th Anniversary Tour of Porgy and Bess which played regionally and at the Palacio de Bellas Artes, Mexico City.            

In additional to stage success, Robert has been stunt coordinator and arranged fights for Brooklyn Film Festival award winning Victoriana, The Subject starring Jason Biggs, Giselle’s Heart, Bullycam and the web series, After. He has worked as a stunt double and stunt performer for action films such as The Key Man starring Hugo Weaving, Eyeborgs starring Danny Trejo and Fall Down Dead with David Carradine. As a physical performer Robert has worked in productions at the Lyric Opera of Chicago, New York Theatre Workshop and for independent live action companies across the country. 

Robert has been an instructor and movement coach for theatrical productions and on film sets, intensives in America and Great Britain and at Boston University’s Theatre Conservatory and Opera Institute, the University of North Carolina School of the Arts, National Theatre Conservatory, Lee Strasberg Theatre Institute, the Asolo Conservatory for Actor Training, the Manhattan School of Music, the University of Alabama, Temple University and presently at Hofstra University.

Robert is a proud member of both SAG-AFTRA and SDC.